This stunning instrument, still in immaculate condition, bears all the hallmarks of the luthier Carlo Bergonzi, who moved into Antonio Stradivari’s workshop following the latter’s death. The famed instrument collector Count Cozio di Salabue called it ‘my largest and most beautiful Bergonzi’. It was later used as the principal performing instrument of Hungarian virtuoso Johanna Martzy (1924–79).
‘The f-holes of the ‘Salabue, Martzy’ are bold and distinctive. In concept, they derive from a Stradivari model but the stems are more angled and the wings are broader’ – Jason Price in the July 2024 edition of The Strad.
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Take “A closer look: Examining the ‘Salabue, Martzy’ violin“. The Strad’s lutherie consultant, Philip Ihle, who put together the Salabue Martzy poster, further examines the instrument
