In Focus 3
This new collection of articles from The Strad’s long-running In Focus section brings together violins, violas, cellos and double basses by some of the greatest instrument makers in history. Instruments by famous luthiers such as Nicolò Amati and G.B. Guadagnini are featured alongside the work of less well-known names such as Domenico Degani and Joseph Marquès. Each article showcases the full-length front and back of each instrument along with close-ups and angled shots, as well as some comments on its form and construction, and a brief biography of the maker. In Focus 3 belongs on every violin maker’s shelf alongside the two previous collections.
Don't miss out! Purchase the first two In Focus collections along with this brand new third one today, and save £24 when you buy all three. Click here to purchase the In Focus 3-book bundle, saving 20%.
Masterclass Volume 2: Violin Works
The second volume in The Strad's best-selling Masterclass series brings together some of the greatest pieces ever written for the violin, along with commentary by many of the world's leading soloists. James Ehnes, Jennifer Koh, Philippe Graffin, Carolin Widmann, Daniel Hope and Arabella Steinbacher are among the artists passing on their hints and tips, as well as explaining their interpretations of works by Bach, Beethoven, Ravel, Tchaikovsky and many more. In addition, every artist has annotated the sheet music with their own bowings, fingerings and comments on the music – provided in association with G. Henle Verlag.
Masterclass: Violin Concertos
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s. Now, in association with publisher G. Henle Verlag, The Strad is releasing the best of its Masterclasses as a bespoke anthology series.
The Strad Calendar 2027: Anders Sveaas Charitable Foundation
‘Rovelli’ Guarneri ‘del Gesù’ violin 1742 poster
The 1742 'Rovelli' can be considered a twin to the 'Alard' Guarneri from the same year. Named for the 19th-century Italian virtuoso Pietro Rovelli, it has most recently been the principal performing instrument of Liya Petrova.
'The "Rovelli" and the "Alard" were built on the same mould, covered with the same golden-brown oil-based varnish, and purfled with the same poplar strips. Their heads are much alike, as are their short corners, their channelled edges and their blackened rib mitres.' – Frédéric Chaudière in the July 2026 edition of The Strad.
Carlo Bergonzi ‘Salabue, Martzy’ violin 1733 poster
This stunning instrument, still in immaculate condition, bears all the hallmarks of the luthier Carlo Bergonzi, who moved into Antonio Stradivari's workshop following the latter's death. The famed instrument collector Count Cozio di Salabue called it 'my largest and most beautiful Bergonzi'. It was later used as the principal performing instrument of Hungarian virtuoso Johanna Martzy (1924–79).
'The f-holes of the ‘Salabue, Martzy’ are bold and distinctive. In concept, they derive from a Stradivari model but the stems are more angled and the wings are broader' - Jason Price in the July 2024 edition of The Strad.
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Antonio Stradivari ‘Boissier, Sarasate’ violin 1713 poster
Made during Antonio's Stradivari's so-called 'golden period', the 1713 'Boissier, Sarasate' is in an excellent state of preservation. Housed in the museum of the Madrid Royal Conservatoire, it has rarely been played since it was left to the music school by its last owner, the Spanish virtuoso Pablo Sarasate. This poster includes full outlines and measurements taken from a state-of-the-art 3D scan of the instrument.
'The surface retains a very good amount of varnish. It is remarkable that it has not been ‘protected’ with a layer of French polish, making it ever more outstanding and appreciated in today’s shop standards. The colour of the varnish is a light reddish-brown over Stradivari’s wonderful golden ground.' – Roberto Jardón Rico in the January 2024 issue of The StradOur posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
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Antonio Stradivari ‘King Carlos IV’ violin 1709 poster – NEW IN
The ‘King Carlos IV’ is one of the few instruments remaining from the collection of the Spanish king, who ruled from 1788 to 1808. Made during Stradivari’s ‘golden period’, it is one of the rare examples that is so well preserved that its sound is seldom matched by other violins of the era. The maple back has deep, wide flames descending slightly, which shimmer like water in the light. The scroll is incredibly round and bold, displaying an ultimate strength in making.
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Antonio Stradivari ‘Harrison’ violin 1693 poster
A perfect example of Stradivari's Long Pattern, the 'Harrison' was for many years the principal performing instrument of Kyung Wha Chung. It is now part of the collection of the National Music Museum in Vermillion, South Dakota, US.
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Girolamo Amati II violin 1671 poster
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
’The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
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Carlo Bergonzi ‘Baron Knoop’ violin 1735 poster
Includes measurements, thickness and arching maps and life-size micro-CT scans.
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Antonio Stradivari ‘Willemotte’ violin 1734
Poster includes measurements, thickness maps and life-size CT scans.
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Antonio Stradivari 1694 ‘Benecke’ violin
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Antonio Stradivari ‘Cecil’ violin 1724 poster
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‘Vieuxtemps’ Guarneri ‘del Gesù’ 1741 poster
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Antonio Stradivari ‘Dancla’ violin 1708 poster
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Francesco Rugeri violin 1686
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Guarneri ‘del Gesù’ ‘Brusilow’ violin 1743 poster
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Antonio Stradivari ‘Huberman’ violin 1713 poster
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Antonio Stradivari ‘Benvenuti’ Violin 1727 poster
Full-colour micro-CT scans, with all the scanned images actual-size reproductions of the instrument.
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Guarneri ‘del Gesù’ ‘Plowden’ violin 1735 poster
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Antonio Stradivari ‘Messiah’ violin 1716 poster
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Guarneri ‘del Gesù’ ‘Cessole’ violin 1736 poster
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Antonio Stradivari ‘Titian’ violin 1715 poster
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Carlo Bergonzi violin 1736 Poster
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Domenico Montagnana violin 1717 poster
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‘Kruse’ Stradivari violin 1721 poster
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Andrea Amati violin c.1566 poster
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Pietro Guarneri of Mantua violin 1704 poster
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Carlo Giuseppe Testore violin c.1703 poster
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G.P. Maggini violin c.1630 poster
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‘Alard’ Guarneri ‘del Gesù’ violin 1742 poster
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‘Milanollo’ Stradivari violin 1728 poster
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Nicolò Amati violin 1666 poster
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‘Kochanski’ Guarneri ‘del Gesù’ violin 1741 poster
One of The Strad's most popular posters is now available with brand new artwork showing the 1741 'Kochanski' Guarneri ‘del Gesù’ in all its glory.
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Jacob Stainer violin 1679 poster
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‘Kreisler’ Guarneri ‘del Gesù’ violin 1733 poster
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Lord Wilton’ Guarneri ‘del Gesù’ violin 1742 poster
Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
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The Strad Masterclass: Solo Violin
James Ehnes, Hilary Hahn, Leonidas Kavakos, Maxim Vengerov, Nikolaj Znaider: some of the violin world's top names have given their thoughts on key works of string repertoire within The Strad's pages. Now, for the first time, Masterclass: Solo Violin brings together articles from the magazine's popular Masterclass section over the past nine years.
