The 1726 ‘Saveuse’ is one of the smallest cellos ever to come out of Antonio Stradivari’s workshop. From the beautifully carved scroll to the smouldering, rich maroon colour of the varnish, the instrument displays the finest characteristics of the luthier’s late period. It remains in almost perfect condition and provides a fascinating insight into the mind of Stradivari the innovator. This poster will be an excellent resource for anyone looking to learn from the master.
“The Strad Calendar 2027: Anders Sveaas Charitable Foundation” has been added to your basket. View basket
Antonio Stradivari ‘Saveuse’ cello 1726 poster
€30
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
6 in stock
SKU:
P216
Categories: Cello, Cello posters, Flat rolled posters, Lutherie, Lutherie posters, Posters, Produced by The Strad
Sold by: The Strad Shop
Description
Additional information
| Weight | 0.15 kg |
|---|---|
| Dimensions | 84 × 68 cm |
Related products
Nicolò Amati violin 1666 poster
€30
SKU: P124
Stock available: 10
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
The Best of Trade Secrets
€40
SKU: SL265
Stock available: 10
Pietro Guarneri of Mantua violin 1704 poster
€30
SKU: P141
Stock available: 10
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
The Best of Trade Secrets 3
€40
SKU: SL305
Stock available: 10
Domenico Montagnana ‘Farina’ cello 1730 poster
€30
SKU: P242
Stock available: 20
Domenico Montagnana was possibly the greatest cello maker in history, and the 1730 'Farina' was made during the period when he was at the height of his powers. Unlike most Montagnana cellos, it has never been cut down and retains its original proportions. Now owned by the Cincinnati Symphony Orchestra, the instrument has a very powerful sound with a wide array of colours. Previous owners have included May Mukle, one of the first successful female cello soloists.
'The abundant famous Venetian varnish is of a rich, dark red colour, with a fascinating array of textures and patinas. In the areas where the varnish has worn off, a beautiful golden amber ground is revealed. As with most uncut Montagnana cellos, the outline is wide in the upper bouts and corners, and deeply swept in at the C-bouts, with big, broad lower bouts.' - John Waddle and Steve Sirr in the July 2025 edition of The Strad.
'When making recordings, the sound engineer has to turn down my microphone because it sounds up to eight decibels louder than any other cello' - Ilya Finkelshteyn, principal cellist, Cincinnati Symphony Orchestra
Find out how more than 30 luthiers collaborated to build a copy of the c.1730 ‘Farina’ in the November 2023 Strad magazine article, "COPYING A MONTAGNANA CELLO – Robin Aitchison reports from the annual Oberlin Violin Makers Workshop"
Lord Wilton’ Guarneri ‘del Gesù’ violin 1742 poster
€30
SKU: P139
Stock available: 10
Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
The Strad Masterclass: Solo Cello
€15
SKU: SL302
Stock available: 11
Nicolò Amati cello 1642 poster
€30
SKU: P243
Stock available: 20
One of only seven surviving cellos by Nicolò Amati, this is one of the few Baroque cellos that has never been altered or cut down. Now played by British cellist Jamie Walton, it is a stunning instrument in an excellent state of preservation.
'This extraordinary instrument from 1642 is striking in every possible way: the sculpture of the full and powerful archings; the simple and elegant edges; the balance of the design of the f-holes; the elegance of the scroll cut; and the varnish, from which the observer’s eye cannot detach itself' - Alberto Giordano in the February 2026 issue of The Strad.
